A remake that is (not) terrible

A little while ago I complained about the abominable remake of The Prisoner. As further evidence of how that review was not just a case of “they changed it, now it sucks“, I present you with this:

Unit-03
It’s time to play inappropriate music and chew bubblegum. And Unit-03 is all out of bubblegum.

Evangelion: 2.0 You Can (Not) Advance improves on the original.

You may recall that my assessment of the first Evangelion remake movie is that it stuck far too close to the first several episodes of the original series, to the point of often being nearly shot-by-shot identical save for the increased budget. A nice visual upgrade, sure, but compressing six episodes’ worth of material into a movie left the plot feeling rushed and the overall effort seeming rather unnecessary.

Evangelion 2.0 instead retells the other twenty episodes of the original series. It manages this by streamlining plot and character development and excising filler wherever possible. The core of the original’s storyline is still there, but it’s been extensively reworked, and mostly for the better.

Unit-00 wielding a missile against the Tenth Angel
For Unit-00, anything can be a melee weapon.

The clearest example of that is the fight scene with the Tenth Angel. Instead of just being an upgraded version of the corresponding scene in episode 19, it also incorporates quite a bit of the fight scene against the Sixteenth Angel in episode 23 of the series, particularly the so-called director’s cut version of that episode. (And the movie does it much better than the episode did; I always thought the shorter, non-director’s-cut version of that fight more effectively conveyed the emotional impact of <spoiler>Unit-00′s destruction and Rei’s death</spoiler>. But I digress.)

And while I’m whipping out the spoiler tags, I might as well add that the fight also has a big surprise for those familiar with the original series, who surely aren’t expecting the fight to include <spoiler>the beginning of Third Impact</spoiler>

The characters, particularly the three main pilots, have been toned down from the series. Shinji isn’t as mopey and angsty and manages to actually take decisive action a bit more. Rei is still mysterious but less aloof; we even see her try to get Shinji and his father together, which isn’t completely out of left field given that she’s <spoiler>a clone of Shinji’s dead mother</spoiler>. Given how Shinji and Rei have a closer relationship in the movie, it’ll be interesting to see what happens this time around when he eventually learns Rei’s backstory.

Asuka's doll... thing...
This is several kinds of wrong.

Judging from the Internet, toning down Asuka’s whole set of issues is a much more contentious topic, but if you ask me, the “resolution” we see of them in the movie is superficial and won’t last. (Or perhaps she doesn’t know certain details of her own past yet?) I mean, she carries around a doll or puppet of herself. Now if you haven’t seen the series before, that might merely seem a little odd, but believe me, once you learn where it came from, that’s seriously messed up.

No, my biggest complaint about how Asuka is treated in the movie is not her character development or (<sarcasm>horrors!</sarcasm>) her changed last name, but the repeated gratuitous fanservice shots of her. I’m willing to accept giving her her own version of Shinji’s toothpicks scene, but pretty much everything besides that is way too blatant and unnecessary. Sure, some of it was in the original series too, but not to the same degree, and even there it also served to torment Shinji. Here, it’s clearly just to titillate the viewer. (And no, hanging a lampshade on her test plug suit doesn’t make up for it.)

Mari
I just destroyed Unit-05; better make myself scarce for the next 45 minutes of screen time.

I can only assume that if new character Mari had gotten more screen time, she would’ve been subjected to similar treatment. (She certainly seemed to enjoy her redesigned plug suit….) It’s hinted that there’s more going on with her than we see, but then most of what we do see of her is her effectively filling in for Asuka after Asuka gets written out a little after the halfway mark.

And while I’m complaining about things, I might as well point out that the soundtrack dissonance used during Unit 03′s fight scene just doesn’t work for me. Using Komm, Süßer Tod during End of Evangelion worked, as does the scene with the Tenth Angel around the end of Evangelion 2.0, but this definitely does not. Maybe it’s just me, though.

But really, that’s about the extent of my complaints about this movie. This is what a remake should be: true to the spirit of the original, but not afraid to take liberties with the source material. Approachable to newcomers (assuming they’ve seen Evangelion 1.0, naturally), yet enough that’s new to keep those familiar with the original engaged. In all honestly, I have no idea what’s going to happen in the first few minutes of Evangelion 3.0, let alone the remainder of the remake. And most importantly, I’m looking forward to see what they come up with.

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